Chakravyuh (2012) Bollywood Hindi Movie BluRay

Mind blowing shoot-out sequences supplemented using a amount of filmi fury -- bleeding encounters, snarling noses, gnashing teeth, grunting appears to be, unhealthy looks as well as a bombastic history score, Chakravyuh provides all this. Sure, several motivational messages can be found in the stoic baritone of Arjun Rampal in addition to articulate deal with of Manoj Bajpai to ascertain the particular ideology of the two sporadic protectors of law as well as the style of uncommon trend respectively.

However Jha, whilst undoubtedly well-informed in regards to the troubles in which cause problems for these kind of components, ceases to fashion a new script that would actually document the particular difficulty on the Naxal rules or maybe the daily wrestle, the particular concerns of an puny law in addition to purchase or maybe the particular challenges on the tribal populace grabbed in the conflict.

Except for skimming previous this particular strong bulk of complications in opposition to believable landscape, the particular overseer of Gangaajal, Apaharan, Raajneti in addition to Aarakshan crams the particular motion picture using not far off stereotypes of strength starving people in politics, carried away industrialists, rapist police and some simple characters like Esha Gupta.

Because Rampal's girl in addition to a good Intelligence police officer, Esha's persona helps make absolutely nothing side of the bargain to be able to what ever several views she gets and is also solely there to demonstrate just how gorgeous she can try a new strategically-tailored homogeneous. Likewise many unintended humor can be offered by a new puny lad actively playing Kabir Bedi's boy because single-most raucous, hamming profile in the complete motion picture. The good thing is, brand names Abhay Deol in addition to Manoj Bajpai underplay in addition to go up in relation to the questionable assignments displaying an knowledge of what is actually lost with tv screen.

Rampal demonstrates constraint however just isn't really capable of contract herself within a part tailor-made regarding Jha's aged much-loved Ajay Devgn. Chakravyuh is essentially the particular account of a couple close friends, Adil (Rampal) in addition to Kabir (Abhay Deol), because higher education in addition to law enforcement officials coaching (made regarded within a lackluster, sepia-toned flashback) in addition to why/how the particular latter infiltrates inside a terrorist outfit to be able to go important facts to be able to their police officer friend.

In case the poorly-established friendship has not been lamentable adequate, the particular absence of strong motivator within Kabir's life-altering determination to turn into a make-believe militant can be most glaring. Perhaps if it's activated with a perception of duty, because Adil served out Kabir while in higher education, this particular awesome phase in which dictates one's destiny on the plan does not have certainty.

The moment perhaps the Naxal military, Kabir's efforts to be able to enlighten it's key commanders -- Rajan (Bajpai) in addition to Juhi (Anjali Patil breathes fireplace like a person of aluminum in addition to nerve) are rather appealing in addition to replace with the particular slow starting. Yet again, Jha steers free from development in addition to opts for the soft-corner-for-the-girl cliché rather than many radical shift of ideals to mention Kabir's unexpected wanting to modify attributes. Chakravyuh, even with a good philosophy, is often a prey of awkward plan in addition to inordinate size.

As well as uncertain goal and the topsy-turvy dynamics of Adil in addition to Kabir's friendship, dialogues don't dazzle in addition to melodies show up beyond place. It truly is virtually comical when Om Puri's waxing eloquent in relation to, 'Aam aadmi ke liye kuch bhi nahi hai' (There's nothing at all for the popular man) can be immediately accompanied by Sameera Reddy's intensely banging belly within a pain relief object tune directed at frontbenchers.

Chakravyuh (2012) Bollywood Hindi Movie BluRay

Chakravyuh (2012) Bollywood Hindi Movie BluRay

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Guru (2007) | Watch Online Hindi Movies *Blyray*

GURU is the stuff of dreams, the cushion of idealism. It is film where heroes succeed challenging all chances and where junior gophers in Shell tracksuits happen to address stadium-fulls of venerating shareholders. What's more, it comes complete with melodies, tossed in with unexpected forsake. 

With the exception of, since this is Bollywood, we've seen everything some time recently. Clothes to newfound wealth stories possess large amounts of the unbelievable tune and-move planet our stars wiggle around in, and we have seen heroes surprised everyone in the vicinity to end up superheroes, much the same as we've seen them battle 81 hoodlums outfitted with their mother's gifts. Challenge to dream, it advertises gladly, yet isn't that the ethical of virtually every masala Bollywood pikchur? 

Of course, Guru is a Mani Ratnam film. Which immediately guarantees restriction and authenticity in the film and a just about quieted veneration in the crowd. The film stops a couple of inches short of being a biopic, however the chief presents his character, Guru Kant Desai, with enough profundity to make him feel as fragile living creature and-blood as you or me. Certainly, there are sufficient shallow similitudes with genuine business symbols, yet the film (unfortunately?) isn't about men who offer a corporate logo uncannily like the champion, its about Guru. Period. Furthermore he's a remarkable character. 

Abhishek Bachchan plays the junior Gujarati kid with stars in his eyes and an intemperate urge to warm his pockets. In the wake of arriving himself an occupation in Turkey (and romping with the matchlessly spellbinding Mallika Sherawat) he works his path up the corporate chain, before he chooses he's got to start a new business for himself. "Bijness," Guru'd say. Choosing to wed his closest companion's sister in light of the settlement he can bundle as his beginning capital, our heading man strikes gold as he ends up a loyal, unquestionably pretty wife in the deal, played by Aishwarya Rai. 

A still from Guruthen comes his ascent, with bunches of luck. Unusually, Mani picks not to harp excessively on his ascension itself, liking to demonstrate to us bits of triumph blended with A R Rahman's staggering music - which, hence, very nearly dependably overpowers the film around it. So while we have adolescent Guru seeing through a session of mugs and-balls at a Turkish reasonable and Guru cleverly winning himself a pivotal exchanging participation on the fairway, the occurrences take a swing at a moderate cut, short disclosures or understanding, with the greater part of the activity lying in Guru's freshly composed exchange, the model talking practically only in punchlines.

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Slumdog Millionaire (2008) Hindi Full Movie Watch Online Blu-RAy

I can even now recollect the energy in the TV business when the Philbin-facilitated American version of Who Wants To Be A Millionaire appeared on ABC (i.e. route before they ran the show into the ground with a psyche numbing 4x-for every week airing calendar). In the same way as other diversion demonstrates, Millionaire was fit to gather some extraordinary acting piece out of a straightforward reason: 

A contender addressed inquiries of expanding challenge with a chance at winning a million dollars in the event that he got every one of them remedy (while at whatever time as of now holding the choice to walk away with a sizable lump of the cash he'd recently won). In any case dissimilar to punishingly challenging test shows like Jeopardy or Twenty One, the inquiries normally didn't base on dark chronicled particulars or atomic material science; they were inquiries the viewers at home could address as well. As a group of people, we were permitted to dream what we might do in the event that we were sitting in that seat under those hot lights. We could envision that, even with the restricted information and encounter that we had, we generally had the opportunity to strike gold. It's no astonishment, then, that Slumdog Millionaire is capable utilize that diversion show to create some engaging dramatization of its own. 

It's the most amazing night of Jamal Malik's (Dev Patel) life. Despite seemingly insurmountable opposition, Jamal, a vagrant from the slums of Mumbai, has accurately addressed very nearly each and every inquiry on the Indian rendition of Who Wants To Be a Millionaire. One and only last address remains between him and a definitive bonanza. Anyhow how did a poor child with almost no instruction ever make it this far? Jamal is rapidly whisked away to a nearby police headquarters for torturing and addressing, where denunciations of tricking hang tangibly buzzing around. To substantiate himself, Jamal must clarify how he took in each and every one of the replies, and all the crazy (mis)fortunes of his life that have headed him to this focus. For me to uncover any more plot parts than this might be to ruin the steady stream of amazements this film will toss your direction. 

A few motion pictures don't simply recount to you a story; they make planets that you're permitted the benefit of occupying for a couple of transient hours before leaving the theater feeling elated and more invigorated than when you went in. Slumdog Millionaire is one of the aforementioned movies. Chief Danny Boyle's profession has taken him from the lives of British heroin addicts to the endeavors of a worldwide team of Earth-sparing space travelers. When I sat down with Boyle to discuss his top pick films for a short time back, I likewise got some information about how his filmography continually moves from classification to class. His reaction was as takes after:

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Once Upon A Time In Mumbaai - Full Bollywood Film (HD) with English Subtitles

Fact can some of the time be drowsy and fiction, trim sided. So when one is endeavoring a synthesis of the two, particularly inside the parameters of business film, its never a simple undertaking. Which is the reason maker Ekta Kapoor and executive Milan Luthria requirement to be commended for their joint deliberations for the exciting mixed drink called Once Upon A Time In Mumbaai. The diverse blend of true and reel brings about one of the finest offerings on celluloid not long from now. Set in the '70s, OUATIM recounts the story of Sultan Mirza (Ajay Devgn) who arrives in the city of dreams as a youngster, and grows up to turn into the most dreaded and regarded individual in Mumbai's evil underbelly.

For the cops, Sultan is the quick Don, and for the masses, he's a savior. Sultan's "sneaking" exercises are constrained to the city's waters and he keeps the avenues of Mumbai clean of wrongdoing. Enter the child of a cop, Shoaib, (Emraan Hashmi) who courageous person reveres Sultan and needs to copy him all around. Shoaib, attracted to the dull side, soon joins Sultan and wins his trust. Anyhow while Sultan has his set of beliefs actually with regards to wrongdoing, Shoaib has none - he's a man in a rush to turn into the undisputed wear. This is the thing that prompts the meeting between the two and with the law-implementers sitting vacillating for their own particular thought processes, it is the city of Mumbai that finally pays the cost. 

OUATIM is a true to life triumph - the film is memorable, crude, exciting and totally engrossing. Milan Luthria catches the vintage look and specifying of "Bombay" fastidiously. Particularly the mess free horizon of the city, now spoilt by monstrous high rises. The story and screenplay by Rajat Aroraa are the film's highlights - the account through the eyes of a senior cop (Randeep Hooda) is a standard touch. Aroraa's discoursed are the best as of late - taking you again to the time of stacked punchlines and intemperate gallantry. Luthria's finest stroke comes as the transaction between his lead characters. Much the same as your heart thumps for Sultan and his generosity, you're likewise made to witness a suitable viewpoint from Shoaib's plot. 

The two stories, around then, run parallel and the way Luthria viably unites them at one focus, sincerely characterizes his calibre as an expert story-teller. The way he's additionally included some clearing sentiment in this story is likewise excellent. Each minute of Sultan's adoration story with on-screen character Rehana (Kangna Ranaut) is loaded with tenderness. Also Shoaib's track with his sweetheart Mumtaz (Prachi Desai) has spots of light black humour and flightiness. Don't miss the references to film star Kaka; and developing new superstar Amit "who has eyes much the same as Sultan"; the flag of a '70s film in a short lived shot; the Mandakini resemble the other apparently equivalent who wins Shoaib's affections, and a lot of people more. The foundation score by Sandeep Shirodkar is one of the numerous highlights of the motion picture. Pritam comes into structure again with some delightful structures. 

OUATIM likewise stands separated for the stellar exhibitions by the film's thrown - Kangna is completely persuading as a yesteryear brave woman. Prachi looks beguiling and conveys her finest execution to date. Randeep as top cop is the astonishment bundle with his ideal summon on demeanour and word usage. Emraan, as the goal-oriented Shoaib, touches off every casing with his vicinity and conveys his vocation best. The complete self of OUATIM is Ajay Devgn in a perfectly customized part. The poise he carries to Sultan's character - the walk, the discussion, the agonizing eyes - is unparalleled. Ajay makes Sultan a fictional legend. Effortlessly, this is one of the finest exhibitions by an on-screen character in the not so distant future.

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Ajab Prem Ki Ghazab Kahani 2009 Bollywood Movie Blu-ray

Salman Khan's truth be told is an Ajab Prem Ki Ghazab Kahani: Weird Prem's Crazy Story. Like his top counterparts at present, the performing artist began at the close of the '80s; playing a character called Prem (Maine Pyar Kiya). None, of these has he worked up a film worth any review from that point on, nor been gotten by makers who guideline the film business. As an entertainer (non-performing artist, non-lover of the dance floor), he's only walked into the screen, very nearly doing his group of onlookers a favour by his unengaged solidness alone. It's been two decades since. The most amazing blockbuster of 2009 (Wanted) has a place with Salman still.

The movie producers here pay Salman a tribute, by acquiring him as himself. Fans seize him while he makes a cool gab with Katrina Kaif, who gets alluded to as herself later in the motion picture also. Such is the great motion picture star "fanship" of the movie producers themselves that you understand, they're unrealistic to be making much of a film. You aren't demonstrated off. The main ones who make a commendable showing, as dependably, are the exposure creators. The exposure unit of this flick, imaginative representation et al, make it would appear that the amusing Andaz Apna's catch up of sorts. The makers make comparative cases. How we discard legacies like soil on our lanes. 

You look through this emptiness, and sense there is not a comic skeletal substance whatsoever. There is positively no sentiment either. Exceptional kid (Ranbir Kapoor) mishandles and pursues great young lady (Kaif) through increase tiring arrangements. She is a Christian young lady, just in the way Bollywood keeps on stereotying their assumed meat-pigging part. He is a vegan Brahmin kid, poor at English, and with a group of carrom groupies for companions: just in the way heroes showed up in the unanticipated '90s. He is clearly not deserving of her. 

She is as of now with somebody with a form from an exercise center, and cash for a Ferrari. The kid and the young lady will inevitably meet. Anyway you'll need to sit through the whole senseless party for it. In the interim, Ranbir Kapoor strolls around with his name Prem appended as lapel on his shirt. Over a melody or two, he outstretches his arms to a foundation score. He purports to drop his towel quickly for impact. The sets are symbolization deco, with blazing neon-lights, and film theatre on back perspective. The lanes are cobbled; the climate, vastly fake.

Ajab Prem Ki Ghazab Kahani 2009 Bollywood Movie Blu-ray

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Mission Istaanbul (2008) Hindi Bollywood Movie Eng Sub *BluRay*

Mission Istanbul Review 

Mission Istanbul is loaded with great activity and tricks however what the film totally needs is rationale. Certain scenes are hard to process and an amazing few of them look senseless. Two men undertake the entire of Istanbul, well just about. They bounce around like spiderman, undertake 5 – 10 men at once and generally make due without a scratch. The scenes including a George Bush look-a-like looks doltish without a doubt. What's more how does the courageous person pass the hand recognition framework? Very basic, he tears both hands of a security staff and helpfully utilizes it on the framework, simple ain't it? A baffled reprobate crushes LCD Monitors left right and focus. The second half drags, so much that you scarcely think about the peak. 

The 2 thing numbers are loaded with sufficient skin show to satisfy the front benchers. Goodness better believe it there is Abhishek Bachchan in one of them, he tries hard to move yet falls flat as dependably. The ambient melodies is bothering and now and again so noisy that the exchanges are indistinct. The cinematography is exceptional. Discoursed are silly. 

Going to the exhibitions I preferred Shabbir Ahluwalia the most, with few great parts he can go far. Vivek Oberoi is unusually not in structure in a part that impeccably suited his style of acting. Zayed Khan can't act to spare his life! Nikitin Dheer, the antagonist of Jodhaa Akbar, should take a shot at his exchange conveyance. It's high time Shriya Saran gets a chance in meatier parts. She was squandered in Awarapan and here she barely has a 10 moment part. Suniel Shetty is alright in an exceptional presence. Shweta Bhardwaj is hot however dull all around. 

Generally, Mission Istanbul is strictly for activity partners. Others don't need much. Exhibitions are powerless thus is the script. Don't want much at the movies. Flop ! ......

Mission Istaanbul (2008) Hindi Bollywood Movie Eng Sub *BluRay*

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Heyy Babyy (2007) Hindi Bollywood Movie BluRay

Three nice looking Sydney lone rangers Aroush Tanmay and Al - are having room schedule-wise of their lives in Sydney. They be a tease around, slumber around and have various "dazzling" victories to their credit. Aroush's (Akshay Kumar) just grouse in life is that there are such a large number of ladies. So little time since he's getting more than enough movement in the club where he meets expectations. Assuming that Tanmay (Riteish Deshmukh) has a ton of fun playing Eddy Teddy at kiddy gatherings and playing around with the yummy mummies; then Ali - Al (Fardeen Khan) bets professionally and protests that his grandest quality is his soft spot for ladies! 

They abruptly find their dating and mating customs unsalvageably decimated when a dimpled little flat mate grounds up on their doorstep - complete with her bunk. Pacifier and grimy nappy, Aroush. Tanmay and Al know a thing or two about ladies; however with regards to children, they're aggregate zeroes and this bobbing dear baby is anything besides glad. However then Angel works her appeal and after a short time, the three obscene unhitched males have been converted into adoring, mindful fathers. 

Be that as it may wonderful Esha (Vidya Balan) will have none of it. She's known heart break once and will do anything to retaliate for that disloyalty. Also when it means breaking the hearts of three men who've at last uncovered they have one - then excessively terrible!

Heyy Babyy (2007) Hindi Bollywood Movie BluRay 

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Love Aaj Kal (2009) Hindi Bollywood Movie Eng Sub *BluRay*

The mystery of chief Imtiaz Ali's film making untruths essentially in three primordial zones. In place of depending intensely on a three-hour long script, he decides to focus on his exchanges: fresh, compact and totally in sync with aaj ka language. All of Saif's babblings about affection sans marriage and Deepika's talks on vocation and unwieldy responsibility are straight out of genuine ramblings in pubs, discotheques and bistros. 

Also, its the characterisations that truly set the screen ablaze, with their exceptionally individualistic streak coupled with their dismal helplessness. Here once more, Saif Ali Khan's Jai and Deepika's Meera aren't your regular Romeos. While cool buddy Jai longs for building extensions like the Golden Gate and can't see sentiment coming in the method for his profession, restoration craftsman, Meera excessively feels long separation relationships are a drag when she chooses to move from London to repaint frescoes in Delhi. Refreshingly, this sentiment really starts with a break and after that experiences umpteen wanders aimlessly, 

before the new age Jai understands he ain't much not quite the same as the dated Veer (Rishi Kapoor) who experienced the Heer-Ranjha story in the less jumbled 1960s. Both Jai and Meera attempt to experience their lives freely, essentially as companions, seeking after their professions and diverse adoration engages. Anyway incidentally, they continue catching one another at odd points of their life, prattling indiscernibly (and interestingly) to evade the senty perfect partner signs. What's more Saif's totally delightful with his rubbish tackle I'm alright, you're alright, we're alright, while the scene's really shouting out something else. 

Thirdly, such as Jab We Met, this film excessively scores in the rich atmospherics that stay the dramatization so outlandishly. London, San Franciso are fine, yet its really Delhi that at the end of the day impresses you as it stands by as a sweet and vibrant witness to the charming and shooing, both in the 1965 sentiment and the 2009 something-like-adoration story. Assuming a significant part in making the right feel is Pritam's foot tapping music score excessively which gloats of various chartbusters. 

On the flip side, the first half does meander a spot and require serious input to incorporate up with an arresting second half. In any case the appealing exhibitions by the lead pair do concealment for the langorous bits. Deepika is absolute and solid as Meera, the present day young lady who has a distinction of her own. Be that as it may it is Saif who renders such a variety of shades to his character to make it appear to be so quite true: certain, befuddled, careerist, homebody, extravagant free, absurdly enamored.

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Kidnap (2008) Hindi Bollywood Movie Watch Online HD

Kidnap has made a buzz for numerous explanations. Imraan Khan is over after his remarkably fruitful presentation Jaane Tu Ya Jaane Na. The promos of Kidnap were smooth and smart, Minissha Lamba in her everything new enchanting avatar and obviously the swimsuit. A Sanjay Dutt motion picture after quite a while is continually something to anticipate. What's more ultimately, the executive is Sanjay Gadhvi, the man behind the super fruitful Dhoom motion pictures. Drona was the main film slated for an Eid discharge yet with Kidnap being preponed, the motion picture has figured out how to take all the spotlight. Yet does it meet desires? 

Kidnap spins predominantly around two characters. One a man and the other a kid. Vikranth Raina (Sanjay Dutt) is one of the wealthiest men on the planet. He has a strained association with his wife and is existing on board seperately from the previous some years. Sonia (Minissha Lamba) misses a father in her life and this regularly expedites arguements with her mother. On Christmas, Sonia is grabbed by Kabir (Imraan Khan). The name of the ruffian, the area and the excuse for why is obscure! 

Kidnap Review 

Kidnap has the right parts for the gathering of people that love masala flicks. A hot Minissha Lamba in meager dress, a thing number by Sophie Chaudhary in attire which if diminished by little might leave nothing to the creative ability, better than average tunes which are perfectly picturized, extraordinary movement successions. Yet its the script that lets the film down. The fundamental thought process behind the entire Kidnap, when uncovered, is a complete turn off. 

Capture experiences a story thats hard to process. Without doling the story out let me short you on a percentage of the scenes. There is an arousing shower with burdens of cleavage under a waterfall, which helps us to remember Zeenat Aman, this while the young lady is held in prisoner! Vikrant Raina discharges a crimininal secured up penitentiary. Raina figures out how to do so by torching the penitentiary kitchen and getting away in a blaze brigader's uniform. In a pursuit arrangement, Vikrant is in hunt for Kabir who trips edifices like a courageous person straight out of a superhero film. Vikrant is no less, he gives Kabir a great pursue performing those staggering tricks. 

Dont you think its a tad bit implausible for the obviously unfit father of an adult little girl to be so sports? Additionally, on occasion you can unmistakably perceive the figure twofold. Mind you, literally the same pursue is one of the highlights of the motion picture and has been shot well. The peak throughout the New Year eve excessively is extremely unlikely. Not a solitary soul perceives the firearm in the Ice box nor while Vikrant pulls the trigger! The science between Imraan and Minissha is poor. Minissha infact offers an improved science with Sanjay Dutt in those constrained scenes they impart. 

Sanjay Dutt slumber strolls through his part. Imran Khan ought to deal with his discourse conveyance. He's fine in his quite anticipated negative part. Minissha Lamba figures out how to occupy with abundant cleavage show, with constrained degree for drama she does well. Vidya Malvade doesn't suit her part. 

By and large, Kidnap frustrates. In the event that generally performed activity arrangements, skin demonstrate in plenitude and extraordinary regions is the thing that you wish to see, Kidnap is worth a watch. Else, hold up for the DVD. At the boxoffice, the buildup because of some explanations specified above, might guarantee an exceptional opening. The more level plan (20 crores) contrasted with most biggies and great opening could bring about the expense being recuperated by the close of Week 1.

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Kyaa Super Kool Hain Hum (2012) Hindi Bollywood Movie *BluRay*

You might think when they compose the script for a film, the essayists might abstain from "acquiring" jokes that you've been listening to since school or those stale SMS advances. Gratefully, Kyaa Super Kool Hain Hum doesn't try too hard. Adi (Tusshar Kapoor) and Sid (Ritesh Deshmukh) are two out-of-fortunes men ecking out a living in Mumbai. Yearning performing artist Adi acts in those unbelievable teleshopping ads while trusting for his 'huge break'. Sid's Djing aptitudes are squandered on tragic Gujarati-gone-wild gatherings. A soothsayer predicts that Adi's fortunes will turn when he meets the affection of his life – whose name will start with 'S'. 

Quite soon he chances upon Simi (Neha Sharma) and falls pitifully enamored with her. Not having any desire to hazard losing her, Adi proposes marriage inside a couple of days of reaching her. Rather, Simi gets went crazy and falsehoods about being a lesbian. Then again, Sid does a gig at a design show. His stayed disc diverts a model Anu (Sarah Jane Dias) who outings on her outfit and turns into a "wardrobe breakdown" sensation. 

The point when Sid uncovers that Adi had proposed to Simi with the precious stone that fit in with his (Sid's) pug Sakru, he chooses that they must accompany Simi to Goa to recover their stone. Obscure to the twosome, Simi and Anu are great companions chilling together in Goa at the last's home. Also to add to the insane remainder, Anu's father (Anupam Kher) is a billionaire being duped by Baba 3g (Chunky Pandey) into accepting that a pug is the resurrection of his perished mother. How Sid figures out how to charm Anu, Adi tries to win back Simi and loads of abnormal puppy bumping structures whatever is left of the story. 

Kyaa Super Kool Hain Hum Review: Script Analysis 

Isachin Yardi wins us in the first half however simply can't hold up the giggles in the post-interim segment. While a considerable lot of the jokes are entertaining, its frustrating to find faltering SMS jokes in their discoursed. Being a grown-up satire likewise implies that Sachin has disregarded the plot, which truly doesn't make a difference in the motion picture either. 

Kyaa Super Kool Hain Hum Review: Star Performances 

Tusshar Kapoor hams a great deal as the adorable washout Adi. Appreciatively Riteish Deshmukh benefits an occupation as Sid. Correspondingly, the yin-yang tries for the female leads also with Sarah Jane Dias emerging as Anu and Neha Sharma exaggerating a touch as Simi. Anupam Kher is beautiful as the baffled billionaire who loves pugs as his folks and gathers Bollywood stuff. Stout Pandey is exceptional as Baba 3g.

Kyaa Super Kool Hain Hum (2012) Hindi Bollywood Movie *BluRay*

Kyaa Super Kool Hain Hum (2012) Hindi Bollywood Movie *BluRay*

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Kites (2010)Bollywood Hindi Movie Eng Sub *BluRay*

I strove for Kites the weekend it discharged to abstain from getting any sort of responses preceding viewing it. When else other possibilities Kites does not satisfy the desires that I had from the film yet having said that its a great watch. There is no support for naming it Kites however. The motion picture has an extremely common storyline, with a great deal of bollywood masala in it, however it has likewise been made remembering the western crowds. Fundamental explanation behind it being the motion picture's length which has been abbreviated to nearly two hours, and also the utilization of the national dialect is insignificant. 

Kites is an anecdote about J (Hrithik) and Linda (Barbara). It is essentially an adoration adventure. The film has an average lowlife whose just thought process is to make life heck for the lead pair, pursuing them wherever they can perhaps stow away. Hrithik reminds you with each film why his bollywood section was not at all like any other person. He takes the scenes with his vicinity. Gorgeous, an incredible feeling of style and I need not specify his moving abilities. 

He holds all the components that are required for a complete entertainer, be it bollywood or hollywood. Perhaps his sixth finger is something additional yet that does not come in the method for him conveying his discoursed seriously. Barbara Mori is amazingly hot as well as a common performing artist as well. The science between the two is there, everything hinges on upon how they depict it and they do it well. Kangana Ranaut's part is quite short and she only needs to verify she is insane abt J. No, not a joint. The negative part of Tony (Nick Brown) has been played convincingly, so the throwing needs to be increased in value.

Kites (2010)Bollywood Hindi Movie Eng Sub *BluRay*

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Hindi Movie Paa (2009) Watch Full Video In *Blu Ray*

Amitabh Bachchan has acted in movies with his child Abhishek in the recent past. Anyway in R. Balakrishnan's odd and now and again strangely influencing Hindi motion picture "Paa," the child plays father to the father. Amitabh is Auro, a 12-year-old with progeria, an uncommon illness in which the form ages excessively rapidly. (A note at the starting guarantees us that the motion picture "shows incredible affectability" about progeria.) He's likewise the child of a single parent (Vidya Balan), who never let her sweetheart, Amol (Abhishek), now India's "most youthful, brightest, coolest" M.p., realize that she had his tyke. 

An American film would likely make much of Auro's illness, its movement and social stigma. Not "Paa." Mr. Balakrishnan concentrates on fathers and children, and on the incredible extend that is India, itself synchronously junior and antiquated. Obviously Amol comes to discover that Auro is his child (Bollywood cherishes a story of parentage found),

 yet he likewise combats debasement ("the most amazing ailment confronting the country"), helps slum tenants and finds approaches to triumph over the critical media. Abhishek Bachchan keeps the film tied down, carrying his splendid cool to this gallant brave person. A scarcely unmistakable Amitabh — with a veiny, bulbous pate; decaying teeth; and incline shouldered stride — appears to be having fun, regardless of the fact that his Auro is more sacred trick than 12-year-old. It's trick acting and regularly more frightening than moving, yet it likewise gives "Paa" its strange I'm-my-own-grandpa charge. 

Opens on Friday across the nation. 

Composed and steered by R. Balakrishnan; chief of photography, P. C. Sreeram; altered by Anil Naidu; music by Ilaiyaraaja; symbolization executive, Sunil Babu; generated by Sunil Manchanda; discharged by Big Pictures. In Hindi, with English subtitles. Running time: 2 hours 13 minutes. This film is not evalua........
Hindi Movie Paa (2009) Watch Full Video In *Blu Ray*

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Ladies Vs Ricky Bahl - Hindi Movie Watch Online * Bluray

His name, however unmistakably makes its vicinity felt in the title, is uncovered in the precise last scene of the film. That is in light of the fact that he's a conman by calling who changes character by the day. What's more like the title, the viewer is candidly educated about Ricky Bahl's work profile however individuals around him take a while to decipher it. So Ricky (Ranveer Singh) is Sunny, Dev, Iqbal for distinctive young ladies who he cons in unique cases. Appeal or astuteness, he uses whatever works most fittingly further bolstering his good fortune to cheat the clueless target. Yet then three of his female victimized people - Raina (Dipannita Sharma), Dimpy (Parineeti Chopra) and Saira (Aditi Sharma) collaborate to get even with him. 

They contract the administrations of a savvy salesgirl Ishika (Anushka Sharma) who they use as a goad to trap the conman. Ishika postures as girl of a NRI hotelier who's on a business visit to Goa to put resources into property. The thought is to draw him into a business association and scam his wealth for reprisal. Yet then cupid strikes and everything tries for a hurl. 

The film begins off amazingly and comes straight to the focus without meandering carelessly. Now and again it appears to be excessively advantageous for the exploited people to part off with their cash at the drop of a cap. Furthermore hence it appears to be considerably more helpful for an affirmed conman like Ricky to succumb to the trap set by the young lady group. Nonetheless, the con-amusements are fresh and executed with such quickness that you never get opportunity to recognize any remaining details. Since we are acquainted with the cheat from begin, any real tension component in the plot is precluded. 

Structurally the film helps to remember the Hollywood flick John Tucker Must Die with its plotline of three young ladies attempting to get even with a fellow by setting him up with an alternate young lady. What recoveries it from getting into the romantic comedy mode is that the young ladies are not simply double-crossed enamored additionally ready to go and their retribution system includes quicker cons over transitory modest excites. That takes Devika Bhagat's screenplay an indent higher (however the confession booth peak is reminiscent of her prior work in Bachna Ae Haseeno where Ranbir Kapoor looks for absolution from three young ladies). Likewise the Ranveer-Anushka kissing science appears to be specifically determined from their last flick Band Baaja Baaraat. 

The significant hiccup in this overall captivating film is that it falls prey of the regular trappings of Bollywood. As sentiment assumes control over the con-diversions, the keen n-saucy film is substituted by a lukewarm story where the conman needs to confess all and change his courses for that one young lady in life. That makes for a faltering peak and an ordinary end. The diagram of the account drops some place in the second half and plunges considerably further as one acknowledges blending con with cupid may not be the most efficiently of thoughts. Appreciatively the pacing is impeccable and the film never appears extended.

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Watch Hindi Movie Lanka 2011 New Hindi Movie 1080p HD

Lanka infers its essence from the Hindi proverb 'ghar ka bhedi lanka dhae' that originates from the Indian epic Ramayana, which suggests how your most trusted associates could be the ones to sell out you (like Raavan's sibling Vibhishan impugned him in Ramayana). While this film could have gone down as an alternate customary story, the Ramayana relationship decently succeeds in providing for them it more character (however it prudently utilizes only three characters from the epic). 

Jaswant Sisodia (Manoj Bajpayee) governs inimitable in the town of Bijnor and one of his indulgences include constraining a young lady Anshu (Tia Bajpai) to be his special lady. Anshu's folks are as defenseless and embarrassed as the powerless victimized person, who humorously gets stubbornly assaulted each night by Jaswant. Jaswant's close help (Arjan Bajwa), who he also acknowledges his more youthful sibling, goes to the town and oversees his unlawful operations. His steadfastness towards Jaswant remains fundamental until his compassion towards Anshu overwhelms it. That is the point at which he chooses to deceive his tutor. 

Obviously Tia symbolizes Sita, Manoj Bajpayee speaks to Raavan, and Arjan Bajwa stands for Vibhishan in this specific delineation of Ramayana. What's more through its thick acting piece, the film advocates Vibhishan's remained to remained against the ethically wrong Raavan. Where debutante executive Maqbool Khan's finesse comes is in giving Manoj Bajpayee's character a balanced tone wherein, on one hand he is contemptible for the brave woman, then again he is good example for the model. As a group of people, you identify with both the compelling shades in his emotional makeup, which can additionally be gigantically traced to Bajpayee's powerful hold on the character. 

The plotline isn't altogether creative and one has seen specifically comparative elucidations, prominently in Rakesh Roshan's Koyla (1997) or all the more as of late Kites (2010). How it controls clear from other artistic acclimatizations of Ramayana is from the way that it deliberately abstains from consolidating Ram as the perfect hero and substitutes it with Vibhishan who may not be flawless yet contradicts insidious. So the whole being of the film falsehoods in the fellowship between Raavan-Vibhishan (Bajpayee-Bajwa) and their resulting clash.

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Ghajini (2008) Bollywood Hindi Movie BluRay

There is dependably an energy encompassing an Aamir Khan motion picture. The performing artist is a stickler and considers his art very important, to the point of being included in the inventive procedure of his movies. It has been said that he went as far changing the close the hindi form of Ghajini from the South Indian adaptation, which was a mega blockbuster 3 years back. There have been numerous theories as to the likenesses between Ghajini and Memento. I have seen both forms and I can let you know to simply watch Ghajini with a crisp personality… no examinations important. 

The motion picture starts with a medicinal person named Sunita (Jiah Khan) who takes an investment in a specific patient case, Sanjay Singhania (Aamir Khan). He experiences a fleeting memory misfortune where he disregards everything inside 15 minutes, so to recall everything, he brings pictures with polaroids, tattoos his physique, keeps notes, and so forth. Before long, we are acquainted with an agonizing Sanjay executing a goon, yet it is indistinct to the gathering of people and even the character of who is his genuine target… Ghajini. 

Through fascinating flashbacks, we see layers of his memory sorted out on account of composed diary passages of a 2 year compass. One day Sanjay, who is a great business mogul, sees a young lady (Asin) helping kids get into a storehouse and he's snared. By occurrence, this same young lady, Kalpana, claims to be his mate to the media, so when Sanjay appears to meet the young lady, he is amazed to see its the young lady that intrigued him. He in the long run wins her heart by putting on a show to be simply a customary gentleman. Humorously, Kalpana nevers studies his correct character. 

As the story moves from present to flashbacks groupings, we discover that Sanjay endures commonplace. He gets up in torment since he needs revenge however he ought to study his notes and start new to find Ghajini. In a terrible flashback, we see Kalpana get killed for intersection ways with the scalawag. Sanjay tries to intercede yet he is hit with a metal pole and consequently is left in a state of complete weakness and bedlam in his brain. Does Sanjay get exact retribution for his intimate romance?  A.r. Murugadoss has barely taken little layers of Memento and transformed it into an unqiue story of wholesome affection and requital. His bearing is clear and gets the fundamental characters to summon careful feelings in each edge, particularly when Kalpana is killed before Sanjay. The pacing of the story is the thing that makes it fascinating, yet the resolution feels exceptionally long and ought to be trimmed by 15-20 minutes for a stronger affect. 

Actually the film's setting is caught skillfully. The pursuit groupings and movement are extremely no-nonsense, on account of Aamir Khan's magnificent statements. Time and time once more, he has demonstrated that he can assume any part without hardly lifting a finger. The differentiation of being a sweet man down to a wrathful slaughtering machine is entrancing. An alternate grant winning part for Aamir. Asin played Kalpana in the definitive Ghajini and she still remains entertaining, cute, and extremely enchanting in this form; you truly comprehend through her character why Sanjay falls head over heels in love. Whatever I can say is welcome to Bollywood Asin! Jiah Khan's second motion picture is much better and she gives plentiful backing to Sanjay at last. As the scalawag, Pradeep Rawat is radiant; you truly despise his character for the enduring given to Sanjay and Kalpana. 

Music and foundation score by A.r. Rehman are mixed well inside Ghajini, with Bekha, Kaise Mujhe Tum, and Guzarish being the highlights. The tune Lattoo and Aye Bacchu can effortlessly be removed from the film. It's not a shock to say that Ghajini closes 2008 on an extremely high note. One of the best movies of the year and not to be missed.

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My Name Is Khan (2010) Bollywood Hindi Movie *BluRay*

Indian superstar Shahrukh Khan (often lovingly intialised to SRK) has found this film to be a lot more controversial than expected, even allowing for its plotlines involving US homeland security and terrorism. SRK plays an Indian man with Asperger's syndrome who, for reasons revealed as the film unfolds, is on a quest to personally deliver a message to the US president.

Fox paid a lot to secure the international rights to this film and while the ultimate message it delivers, of understanding, community and tolerance, is one that deserves to be heard, it seems unlikely that it will have far-reaching crossover appeal – to say nothing of its problems in Mumbai, where the large and very vocal Shiv Sena movement have been attacking Khan via the film that bears his name. Western screenwriting guru Syd Field gets a credit for story consultancy, but the film is still very much structured according to Indian traditions. For instance, the interval is still used as the point where the film changes gear. As usual, the first half is more soap opera, spending plenty of getting-to-know-you time with the appealing characters before putting them through the wringer in the more politicised second section.

Khan's quest lands him in government detention and sees him helping out a hurricane-ravaged Georgia town, while the post 9-11 climate sees anyone even vaguely resembling a Muslim under verbal and often physical attack. It's stunningly shot, on mostly US locations, and tackles plenty of hard topics – its deceptively light touch gets heavier as things progress. It's a shame that much of the intended audience will not see this well-intentioned, slickly constructed and just plain likable film, for reasons that are very little to do with the film itself.

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Gulaal 2009) 720p Bollywood full movie HD

The leitmotif that runs through Anurag Kashyap's latest film is red—the colour of revolution, and passion; of love and bloody betrayal. 'Gulal' tells the story of an India struggling to come to terms with its contemporary identity and complicated histories. And Kashyap nearly pulls it off.

It comes from a director who main-lines anger and this is his angriest film. It's also his most ambitious film, and the combination is potent enough to give us a film which spills over with compelling characters (some of whom you've never met in Hindi cinema), superb set-pieces, stirring lyrics, and terrific acting. But somewhere along the way, the director gets into montage mode, juggling with too many issues and too many people. If only Kashyap had managed to connect all his dots, this would have been a truly magnificent film.

Dukey Bana (Kay Kay) is an amoral zamindar readying a personal army to further the cause of Rajput pride. He lives in the feudal past, with a wife on the sidelines, a mistress in the middle, and a bunch of fierce loyalists around him. His enemies are both within and without: a strange-acting Rajput lad (Abhimanyu Singh) who doesn't want any part of his princely legacy, a rival potentate (Aditya Srivastava) who wants to usurp Dukey's place in the Bana hierarchy, and a naïve, wet-behind-the-years 'senior student' (Raja Singh Chaudhary) who comes into a sleepy, fictional Rajasthan town, and becomes the unwilling catalyst for everything that happens.

How ragging can destroy a life is one of the most powerful threads in 'Gulal'. A teacher and a student are stripped of their clothes, and their dignity, and locked up in a room by some louts, masquerading as students. 'Law karne aaye hoge' is not just an acerbic dialogue flung at Dilip: it's a state of being for a section of an ever-floating student populace. The law faculties of a million universities, run by political satraps who use ageing, directionless so-called students to further their own causes, have countless such tales to tell. These are the badlands where anything can happen, and casual brutality and shattering violence, is just part of the game.

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Laaga Chunari Mein Daag (2007) Online Hindi Movie Eng Sub *DVD*

Some have called Laga Chunari Mein Daag a regressive film. But is it one? Well, there are parts that could send feminist alarm bells ringing…

Look, the story is about a girl called Badki (Rani Mukherjee) who comes from a family which was once very rich. They live in a palatial house which is falling apart. The Father (Anupam Kher) is jobless and his wife (Jaya Bachchan) makes a living sewing clothes. The money isn’t enough…because they aren’t living in a slum. They have to maintain a huge house, pay the rising medical bills (Anupam Kher gets heart attack after heart attack), pay for the court case against a cousin claiming their house and also pay for Badki’s younger sister Chutki’s (Konkana Sen Sharma) education. So, Badki turns to the flesh trade – becomes a high class escort girl. That is pretty regressive say some as it sends out the message that the modern Indian woman can do nothing except fall back on prostitution to save the family.

What is she expected to do to then? Work in Macdonalds?

The director, Pradeep Sarkar, has gone out of his way to point out Badki’s lack of education. She has not even passed her tenth grade as the family did not have enough money to educate both the daughters. And Badki does job-hunt, in a kind of naive desperation…and not surprisingly cannot get a job that suits her, a job that will pay her the thousands she needs. No, not even a call centre will employ her as she cannot speak English. To top it all, this small town girl finds the big bad city confusing, and as a result finds herself quite unable to find something she can do. If anything, this futile hunt for a well paying job sends out a strong message that if you aren’t educated in today’s modern world, and you haven’t learnt a skill, you are nothing.

The reason I do not think that this is regressive film is because it sends out another very strong message…that people who live off a prostitute’s earnings need to be questioned about their attitudes. They take the money willingly enough, but are they equally willing to accept and respect the breadwinner? That’s what the story is all about. And hats off to Sarkar for tackling this subject in such a sensitive manner. Sure, the film was not as hard-hitting or as stunning as his previous film Parineeta, but well, I think in some ways it comes close. It’s the way Sarkar handles relationships…

Sure, it’s a typical Bollywood melodrama, and you might shed copious tears, and the story is rather unbelievable, but what the heck, it is a movie. As for acting, it’s an absolute treat to watch Konkana Sen Sharma. As Chutki, she is absolutely brilliant! She manages to eclipse Rani Mukherjee and Rani herself acted pretty well. Jaya Bachchan as the mother wasn’t bad either…good actually. Three powerful actresses in one movie, and this is what makes the movie worth a watch.

But Abhishek Bachchan? Give me a break! He is hardly to be seen in the movie! There is another guy (Kunal Kapoor), paired romantically with Konkana, and though he does a fairly decent job he has very little to do too…Benares itself was very well portrayed cinematically, and the scenes near the Ganga are breathtakingly beautiful.

Some scenes in the movie are amazing. I particularly liked the one which is a kind of turning point in the story, when Badki is about to pass that point of no return. She gets an ‘offer’ which she finds disgusting, and calls up home for support…unfortunately she calls up at the wrong time. Her father has just had an heart attack, and her mother is at home, a grief-stricken, broken woman. Badki pours her heart out, telling her that she wants to come back home…that she has failed. That she cannot be the ‘son’ that they want her to be…but her mother is no state to listen. She is distraught and distracted…and well, after that it becomes too late for Badki.

That point about the parents (mostly the dad) wanting a son is another thing that critics of the movie didn’t like. They thought that taunts about Badki and Chutki being girls were regressive….well, maybe. But that’s the Indian reality for you.

But I wouldn’t actually call laga chunari mein daag (which in English means a stained scarf), a journey of a woman (the movie has been tagged thus). I would call it a story about two girls and a woman. The movie revolves around the relationship of these three strong and proud women, two sisters and a mother. The ‘head’ of the family is shown as weak and spineless.

Sure, there might be some clichés in the movie, and one of them is that prostitutes are victims of circumstances …but hey, it’s a movie. And it’s a movie about a woman who decides to sell her body because of the circumstances….nothing very original here. To some extent the lilting music (for a review of the music you can check this out) and the excellent performances give the movie that extra sheen. If you are a bollywood fan you’ll like this movie, if you don’t mind a melodramatic tear-jerker that is. A tear-jerker with a happy ending.

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Tumsa Nahin Dekha (2004) Full Hindi Movie *BluRay*

Dissimilar to Anurag Bose's past film, his Tumsa Nahin Dekha is loaded with clich�s and foreseeable turns in the story. Take for example, the character of Jia (Dia). She is not a club lover of the dance floor out of her own decision. She hails from a poor foundation and need to fight for herself and her rationally impeded sibling. So the all-relinquishing sister takes to moving, singing and wearing scanty garments in a club. 

Then again take Emraan Hashmi's character Daksh. He is a rash 'jug hitter' who originates from a well-completing crew. He falls for poor Jia. However a day comes when he need to settle on a decision between fondness and cash. Also the result he concocts is straightforward  wed the cash and keep cherish as paramour. 

One thing that works energetic about the story is the determination of Dia Mirza to assume the part of a club dance lover. The really confronted lady with a noticeably slick onscreen picture just moves compassion in the psyches of viewers with her 'filthy enactment' of a striptease dance specialist. Emraan Hashmi remains in equivalent stead to her with his unendingly plastered act. An alternate strongpoint of the motion picture is its 'simple on the ears' music (by Nadeem Shravan) and the best possible position of melodies in the account. 

Minor characters in the motion picture have been crudely treated. Anupam Kher is transferred to a healing facility cot for a great a piece of his part. Sharat Saxena (who plays Pooja Bharti's father) bothers with his unsuccessful endeavors at drama. Surekha Sikri's character of a noble, 'hukkah-smoking' grandma with an inconceivable energy for foul dialect is halfway enthralling and mostly offensive. 

Basically, Tumsa Nahin Dekha has its impart of powerless and solid focuses. Frontbenchers needing fro Dia's steamy act won't be baffled, yet those wanting an exceptional story and a true to life treat will be letd

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Full Movie Watch Online Life in a Metro (2007) | Life In A Metro *BluRay* (Full Movie)

Multiple stories seem to be the trend of the year in Bollywood. It's a technique that's old to Hollywood (Traffic, Pulp Fiction etc.) but new to Bollywood (Salaam-E-Ishq, Honeymoon Travels Pvt. Ltd.). Life...in a Metro, the latest offering from Anurag Basu (Murder, Gangster), is a realistic look at the lives of a select few characters who could be anybody in any city around the world. In the past months the film has been riding a wave of high expectations due to multiple factors. Shilpa Shetty's Big Brother win, Anurag Basu's success with his last two films and most importantly, a talented cast featuring some of the best names in the business (both old and new).

At the center of the film lies the story of three call center co-workers. Rahul (Sharman Joshi...downplayed for a change) is secretly infatuated with his co-worker Neha (Kangana Ranaut...similarly underplayed). In exchange for promotion recommendationsnarrators, Rahul rents out his apartment to co-workers who are carrying out affairs of their own. Neha has climbed the ladder of success pretty quickly, thanks to hard work and an affair with her boss Ranjeet (Kay Kay Menon...so amazing, you hate his guts). Ranjeet has begun to fall for Neha, despite the fact that he is married.

Ranjeet's wife Shikha (Shilpa Shetty in a career defining role) is bored housewife. Despite being a better student in college than Ranjeet, she decided to stay home after marriage to take care of the house and their daughter who is now 6 years old. Ranjeet has lost himself and his family chasing his dreams of money. Shikha meets Akash (Shiney Ahuja) a struggling theatre artist who is coming off a divorce. Their friendship begins to blossom into something more, threatening to tear down Shikha's life in the process.

The final (and certainly most enjoyable) story is of Shruti (scene stealer, Kokona Sen Sharma), Shikha's 30 year old virgin sister. She wants to settle down, and currently she has two options. The first is her Radio Mirchi RJ, Wishy K (Gautam Kapoor), whom she has a big crush on. The other is Debu (hands down favourite, Irfaan Khan) a guy she met through a matrimonial website. She's not exactly crazy about him.

The film deals with the culmination of their stories. It's a subtle and moving film, but something is missing. It just doesn't have the impact it should. Anurag Basu has handled all the stories well, the direction is good but the writing needed another run through. At times the film seems overwritten and at other times it could have been more expressive. The only portion of the film that stands out is the Koko and Irfaan track. That story would have made a great film on it's own. The culmination of the other two stories leaves a lot to be desired. Anurag should have been more daring, rather than conventional. Having the courage to go against the norm would have been refreshing. Happy endings don't always work. Visually the film is slick and very polished which adds to the appeal of watching it. The appearance of the band also becomes a tired gimmick. Pritam's music is great, some of the best so far this year, but the constant re-appearances as the 'narrarators' of the film is kind of tedious.

On the other hand, the performances are what holds the film together. I wasn't even thinking about Irfaan Khan and Kokona Sen Sharma's story going into the film, but it's the best one. It's really the heart of the film because it's more light as opposed to the seriousness of the other two story tracks. Irfaan and Kokona are so good it seems like they may be competing to steal scenes. Irfaan just manages to win, why don't we see him in more roles like this. He is really having fun and to be paired opposite such a talented actress really does help. Shilpa Shetty turns in the performance of her career. After Phir Milenge and Dhadkan she hits another home run and tops all her previous work in Bollywood. It's amazing to see her grow into such a serious and sensitive actress, not to mention that she is still hotter than any of the 'actresses' that came after her. Hopefully she'll no longer be typecast into roles where she only has two scenes and a song. Kay Kay Menon plays his despicable character so well you can't help but hate him. Is this the same guy who was so loveable in Honeymoon Travels? In his short but extremely versatile career, he never stops surprising.

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